Jane Wilson-Howarth

Fiction

 
 
 

reviews

Himalayan Hostages

This is an exciting adventure (for readers over the age of eight features) two scruffy English boys and their fiesty no-nonsense Nepali friend Atti. The children have the huge challenge of rescuing the boys' parents from kidnappers and as they chase the grownups through the jungle, they encounter all kinds of dangerous animals - beautifully drawn by Betty Levene.


Snowfed Waters

Snowfed Waters is a great read. It is an engaging love story; at times a fast-moving thriller; a thoughtful account of cultures that are baffling to one another; and a vividly detailed and observant travel book - all in one. It movingly tells the story of a troubled and outspoken young woman, Sonia, who travels to Nepal in search of distraction and finds healing instead. I defy any reader not to fall in love with the teenage local girl, Moti, a wonderful creation. There is a good ending too, not entirely predictable but absolutely right. 

Victor Watson, author


Madagascar Misadventure

Alex and James continue having adventures without their parents. It was fun to see the brothers continue to scrap between themselves. Jane obviously has a huge knowledge of this part of Madagascar and it shows with her wonderful descriptions of the fauna and flora. I can't help but wonder if she had been hit by deposits from animals and birds overhead from listening to her story. Great read, would highly recommend.

Frog


Himalayan Heist

This is an adventure story for adults and young adults. It is a breathlessly exciting page-turner, in the long tradition of quest stories.
The complex and shifting relationships of the three main protagonists – Alex and James, and their engaging girl companion Bim – are put to the test as they work their way through the beautiful and dangerous Nepalese landscape. They know what they have to do, but not what they will be required to face. Perils confront them at every turn, some natural, others man-made. The Nepalese landscape – presented in vivid and almost tactile clarity – can be beautiful, but also menacing.
In many adventure stories the characters are the main interest and the setting is little more than a lifeless backcloth; or the landscape is the writer’s real subject and the protagonists are anaemic stereotypes whose only purpose is to move the story forward. But here the characterisation is enmeshed within the action and the setting. Without noticing, readers find themselves caring about the characters, anxious when they are separated, comforted when they are reunited.
The author is a traveller. She writes about places and people she knows well, so there is an integrity in her writing and a total authenticity in the heft and feel of the story. So her accounts of the wildlife, the valleys and mountains and rivers, and the people the three main characters come across, have truth in them.

Victor Watson, editor of The Cambridge Guide to Children's Books in English