Himalayan Heist
This is an adventure story for adults and young adults. It is a breathlessly exciting page-turner, in the long tradition of quest stories.
The complex and shifting relationships of the three main protagonists – Alex and James, and their engaging girl companion Bim – are put to the test as they work their way through the beautiful and dangerous Nepalese landscape. They know what they have to do, but not what they will be required to face. Perils confront them at every turn, some natural, others man-made. The Nepalese landscape – presented in vivid and almost tactile clarity – can be beautiful, but also menacing.
In many adventure stories the characters are the main interest and the setting is little more than a lifeless backcloth; or the landscape is the writer’s real subject and the protagonists are anaemic stereotypes whose only purpose is to move the story forward. But here the characterisation is enmeshed within the action and the setting. Without noticing, readers find themselves caring about the characters, anxious when they are separated, comforted when they are reunited.
The author is a traveller. She writes about places and people she knows well, so there is an integrity in her writing and a total authenticity in the heft and feel of the story. So her accounts of the wildlife, the valleys and mountains and rivers, and the people the three main characters come across, have truth in them.
Victor Watson, editor of The Cambridge Guide to Children's Books in English
50 Camels and She's Yours
What a wonderful selection of travel writing - the 5 authors each bring a different style and unique view on the world. Hivernel's "Why Mauritania?" transported me and made me look at my own world with different eyes. Immerse yourself in some armchair travels and there are even two reflections on the difficulty of coming home.
MES
Snowfed Waters
Deserted by her husband and forced out of her job as a schoolteacher, Sonia Swayne flees the sullen climes of Cambridge, England, to work for a charity which trains teachers in the plains of Nepal. She ends up on the green, exotic island of Rajapur in the middle of the Karnali river.
Armed only with an amulet and a mantra, and vague stories of an ancestor who lived in Kanpur and died during the Revolt of 1857, she finds herself among people and in a culture very different from her own. Guliya Tharu, Sonia’s host in Nepal, is forever befuddled by her jumpy guest; Guliya’s young daughter Moti spoils her with ‘bad tea’ in the mornings and takes her on an epic pilgrimage to a holy shrine; while the handsome and courteous Rekraj, a colleague, acts as her local guardian, and protects Sonia from spicy food and his lecherous cousins.
Nursing a low self-esteem and umpteen anxieties about her new surroundings, Sonia gingerly navigates the peculiar yet charming customs, the spirituality and the spontaneity of her hosts. As Sonia’s bonds with her newfound family grow, and she falls in love with the countryside, she gains new perspectives, which allows her to fully embrace not only her own flawed self but also the people around her.
Raajkart